"Abel Ferrara’s 15th feature, MARY, which had its premiere at Venice in 2005, is only now having a run in New York. (It opens on Friday Oct 10 at Anthology Film Archives.) It revolves around a film within the film — in this case a biblical indie called THIS IS MY BLOOD. The leading lady (Juliette Binoche) is so shaken by playing Mary Magdalene that she decamps for Jerusalem. Back in New York a television talk show host (Forest Whitaker) finds himself struggling with his faith as he prepares to interview the Jesus movie’s brash director and star (Matthew Modine, in a role that inevitably calls to mind Mel Gibson but also contains strong elements of the freewheeling Mr. Ferrara). MARY is simply the most direct expression of spiritual crisis in a filmography riven with Catholic notions of guilt and redemption. When Ferrara started working on MARY — 'living within three blocks of the Vatican,' he noted — he revisited the Bible and this time approached it 'as a revolutionary tome."' Oct 10 2008, NY Times
Saturday, February 07, 2009
Watching for... MARY (2005, Abel Fererra)
"Abel Ferrara’s 15th feature, MARY, which had its premiere at Venice in 2005, is only now having a run in New York. (It opens on Friday Oct 10 at Anthology Film Archives.) It revolves around a film within the film — in this case a biblical indie called THIS IS MY BLOOD. The leading lady (Juliette Binoche) is so shaken by playing Mary Magdalene that she decamps for Jerusalem. Back in New York a television talk show host (Forest Whitaker) finds himself struggling with his faith as he prepares to interview the Jesus movie’s brash director and star (Matthew Modine, in a role that inevitably calls to mind Mel Gibson but also contains strong elements of the freewheeling Mr. Ferrara). MARY is simply the most direct expression of spiritual crisis in a filmography riven with Catholic notions of guilt and redemption. When Ferrara started working on MARY — 'living within three blocks of the Vatican,' he noted — he revisited the Bible and this time approached it 'as a revolutionary tome."' Oct 10 2008, NY Times
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