Monday, May 04, 2009

May 8: Egoyan's ADORATION opens in Vancouver

A PSA From E1 Entertainment Canada 

ADORATION opens May 8: Vancouver, Toronto, Montreal

Winner of the Ecumenical Jury Prize at the 2008 Cannes International Film Festival, ADORATION is Atom Egoyan’s twelfth feature film and furthers the themes of his 25 extraordinary years of filmmaking. ADORATION speaks to our connections---with each other, with our family history, with technology and with the modern world.

When Sabine (Arsinée Khanjian), a high school French teacher, gives her class a translation exercise based on a real news story about a terrorist who plants a bomb in the airline luggage of his pregnant girlfriend, the assignment has a profound effect on one student, Simon (Devon Bostick). Years ago, Simon's father Sami (Noam Jenkins) crashed the family car, killing both himself and his wife, Rachel (Blanchard), leaving Simon to be raised by his well-meaning uncle (Scott Speedman). In the course of translating, Simon re-imagines that the news item is his own family's story and casts himself as the son of the terrorist standing in for his father. His resulting claims about the deaths of his father and mother stir up a storm that splashes over the edges of his own life and into communities both local and virtual.

Atom Egoyan is an Oscar-nominated, internationally renowned filmmaker. He was born in Cairo and raised in Victoria, British Columbia. He studied international relations and classical guitar at the University of Toronto. In addition to filmmaking, he has created works for the theatre and for interdisciplinary art installations, including his piece Auroras, which was part of the 2007 Luminato Festival in Toronto. His films, many of which have received several of the cinema's most prestigious awards, include Next of Kin (1984), Family Viewing (1987), Speaking Parts (1989), The Adjuster (1991), Calendar (1993), Exotica (1994), The Sweet Hereafter (1997), Felicia's Journey (1999), Krapp's Last Tape (2000), Ararat(2002) and Where the Truth Lies (2005). He recently wrapped production on the erotic thriller Chloe starring Liam Neeson, Julianne Moore and Amanda Seyfried.

Sunday, May 03, 2009

34 Films I DO Want To See Before i Die


After messing around with the new edition of Steven Jay Schneider's "1001 Movies You Must See Before You Die," I started compiling a few other such lists, to see who agreed on what. The highest the brows got was the definitive 2002 Sight & Sound poll of critics' and directors' Top Ten Lists; the most populist, the IMDb Top 250 (as of April 23, 2009), which is open to anybody who feels like voting (but does pool the ratings of hundreds of thousands of viewers). In between, British film critic John Walker's 2002 volume "Halliwell's Top 1000: The Ultimate Movie Countdown" (because it's on my shelf), and the films Roger Ebert has so far included in his series "The Great Movies" (never intended as a definitive list, but a darn fine selection nevertheless). A new film friend also pointed me to "They Shoot Pictures, Don't They?", a director-oriented fan site that has compiled about a billion lists in an effort to come up with some sort of definitive canon - though I will say it contains as many eccentric choices as Walker's Anglo-centric thirties/forties valentine.


Thirty-four films appear on all six lists. Quite an accomplishment, given the widely varying nature of the sources. Here they are.

2001 - A Space Odyssey (Stanley Kubrick / 1968 / UK)
The 400 Blows ("Les Quatre cents coups") (Francois Truffaut / 1959 / France)
8 1/2 (Federico Fellini / 1963 / Italy)
The Apartment (Billy Wilder / 1960 / USA)
Apocalypse Now (Francis Ford Coppola / 1979 / USA)
The Bicycle Thief ("Ladri di biciclette") (Vittorio De Sica / 1948 / Italy)
Blade Runner (Ridley Scott / 1982 / USA)
Casablanca (Michael Curtiz / 1942 / USA)
Chinatown (Roman Polanski / 1974 / USA)
Citizen Kane (Orson Welles / 1941 / USA)
City Lights (Charles Chaplin / 1931 / USA)
The Godfather Part II (Francis Ford Coppola / 1974 / USA)
The Godfather (Francis Ford Coppola / 1972 / USA)
Lawrence of Arabia (David Lean / 1962 / UK)
M (Fritz Lang / 1931 / Germany)
Metropolis (Fritz Lang / 1927 / Germany)
On the Waterfront (Elia Kazan / 1954 / USA)
Psycho (Alfred Hitchcock / 1960 / USA)
Raging Bull (Martin Scorsese / 1980 / USA)
Ran (Akira Kurosawa / 1985 / Japan)
Rashomon (Akira Kurusawa / 1951 / Japan)
The Seven Samurai ("Shichinin no samurai") (Akira Kurosawa / 1954 / Japan)
The Seventh Seal ("Det sjunde inseglet") (Ingmar Bergman / 1957 / Sweden)
Singin' in the Rain (Stanley Donen, Gene Kelly / 1952 / USA)
Some Like It Hot (Billy Wilder / 1959 / USA)
Sunrise: A Song of Two Humans (F.W. Murnau / 1927 / USA)
Sunset Boulevard (Billy Wilder / 1950 / USA)
Sweet Smell of Success (Alexander Mackendrick / 1957 / USA)
Taxi Driver ( Martin Scorsese / 1976 / USA)
The Third Man (Carol Reed / 1949 / UK)
ATouch of Evil (Orson Welles / 1958 / USA)
The Treasure Of The Sierra Madre (John Huston / 1948 / USA)
Vertigo (Alfred Hitchcock / 1958 / USA)
The Wizard of Oz (Victor Fleming / 1939 / USA)

Nice list. A person could do worse.


I've seen just over half of them. And it just so happens I'm at a point right now where my Soul Food Movies book is on the back burner - well, on a back shelf of the fridge, to be more precise, or maybe somebody's even moved the darn thing to the freezer so it doesn't go bad - and I've got me a hankerin' to watch some just plain old good movies this summer, whether they're soul food candidates or not.

So I've reorganized my Videomatica queue and gettin' historical. I'll start with the Billy Wilders, since one of my movie buddies counts THE APARTMENT as his all-time fave. Then I'll hit the flicks that show up all the time on another list-making pal's quarterly Hot 100 list, beginning with RAN and RASHOMON. Then THE BICYCLE THIEF because it's high on my newest film friend's Top 100. And once I work my way through the rest of those six-out-of-sixers, I might even check out whatever catches my eye among the list 25 titles that crashed five of the six list-making parties...

Amarcord (Federico Fellini / 1973 / Italy)
L'Atalante (Jean Vigo / 1934 / France)
L'Avventura (Michelangelo Antonioni / 1960 / Italy)
Battleship Potemkin  (Sergei Eisenstein / 1925 / Russia)
Breathless ("A Bout de Souffle") (Jean-Luc Godard /1960 /France)
La Dolce Vita (Federico Fellini / 1960 / Italy)
Les Enfants du Paradis ("Children of Paradise") (Marcel Carné / 1945 / France)
Fanny and Alexander (Ingmar Bergman / 1982 / Sweden)
Grand Illusion (Jean Renoir / 1937 / France)
Greed (Erich von Stroheim / 1924 / USA)
Jules and Jim (François Truffaut / 1962 / France)
Modern Times (Charles Chaplin / 1936 / USA)
Once Upon a Time in the West (Sergio Leone / 1968 / USA)
Ordet (Carl Theodor Dreyer / 1957 / Denmark)
Passion of Joan of Arc (Carl Theodor Dreyer / 1928 / France)
Pather Panchali (The Apu Trilogy) (Satyajit Ray / 1955 / India)
Persona (Ingmar Bergman /1966 / Sweden)
Pickpocket (Robert Bresson / 1959 / France)
Rules of the Game  ("La Régle du jeu") (Jean Renoir / 1939 / France)
Sansho The Bailiff ("Sanshô Dayû") (Kenji Mizoguchi /1954 / Japan)
The Searchers (John Ford / 1956 / USA)
La Strada (Federico Fellini / 1954 / Italy)
Tokyo Story (Yasujiro Ozu / 1953 / Japan)
Ugetsu ("Ugetsu Monogatari") (Kenji Mizoguchi / 1953 / Japan)
Wild Strawberries  (Ingmar Bergman / 1957 / Sweden)

My cinephile summer.

Chesterton, "Stage, Screen, and History"


"The second fact to remember is a certain privilege almost analogous to monopoly, which belongs of necessity to things like the theatre and cinema. In a sense more than the metaphorical, they fill the stage; they dominate the scene; they create the landscape. That is why one need not be Puritanical to insist on a somewhat stricter responsibility in all sorts of play-acting than in the looser and less graphic matter of literature. If a man is repelled by one book, he can shut it and open another; but he cannot shut up a theatre in which he finds a show repulsive, nor instantly order one of a thousand other theatres to suit his taste. There are a limited number of theatres; and even to cinemas there is some limit. Hence there is a real danger of historical falsehood being popularized through the film, because there is not the normal chance of one film being corrected by another film. When a book appears displaying a doubtful portrait of Queen Elizabeth, it will generally be found that about six other historical students are moved to publish about six other versions of Queen Elizabeth at the same moment. We can buy Mr. Belloc's book on Cromwell, and then Mr. Buchan's book on Cromwell; and pay our money and take our choice. But few of us are in a position to pay the money required to stage a complete and elaborately presented alternative film-version of Disraeli. The fiction on the film, the partisan version in the movie-play, will go uncontradicted and even uncriticized, in a way in which few provocative books can really go uncontradicted and uncriticized. There will be no opportunity of meeting it on its own large battlefield of expansive scenario and multitudinous repetition. And most of those who are affected by it will know or care very little about its being brought to book by other critics and critical methods. The very phrase I have casually used, `brought to book', illustrates the point. A false film might be refuted in a hundred books, without much affecting the million dupes who had never read the books but only seen the film."

Thanks to Peter Chattaway for that. And thanks to Rosie for the exact source;

As I Was Saying
By Gilbert Keith Chesterton
Published by Dodd, Mead, & Company, 1936
page 191

Friday, May 01, 2009

May 3 / Jun 6: animator Ken Priebe on faith & film


Ken is a local animator who also writes for Hollywood Jesus. Ken wrote the book on stop-motion animation - quite literally. Until I add contact info to this, if you might be interested in attending either event, email me or post a response here and i"ll pass it on to Ken.

I know it's short notice but just thought I'd let you know I'm giving the morning message at Cedar Park Church in Ladner this weekend, Sunday May 3 10:40am. It's on 'Faith & Film: Taking God's Detour' and centers around the Pixar movie CARS.

It's partly a kick-off for my upcoming animation festival, also at Cedar Park on Sat June 6. The festival will consist of workshops & family activities in the afternoon, a short film screening, then a BBQ and an evening presentation I'll be giving on 'Animation as an Act of Worship', talking about spiritual themes in movies like PINOCCHIO and THE IRON GIANT, etc.

Ken Priebe

Saturday, April 18, 2009

55 Films You No Longer Need To See Before You Die

First Edition : 2003
Reprint :
2004

Bookstore the other day, saw the new edition of Steven Jay Schneider's "1001 Movies You Must See Before You Die." Got to thinking, This is the fifth edition? Still only 1001 films I have to see before I snuff it? So which ones have been deemed less-than-obligatory since the first edition, five years ago?

Second Edition : 2005

Turns out there are 55 flicks that made it into one or more of the previous volumes, but which are no longer required viewing in advance of your funeral. (That's a load off my mind!) And because I feel obliged to inflict my opinions whenever possible, I'll boldface the titles that would have stayed in there had I been in charge...

THE CASUALTIES:
55 FILMS YOU NO LONGER NEED TO SEE BEFORE YOU DIE

À ma soeur! (2001)
A.I.: Artificial Intelligence (2001)
The Accidental Tourist (1988)
Adaptation (2002)
The Age of Innocence (1993)
Ali Zaoua, Prince of the Streets (2000)
Attack the Gas Station (1999)
The Aviator (2004)
Babel (2006)
The Barbarian Invasions (2003)
The Big Lebowski (1998)
Bram Stoker's Dracula (1992)
Bus 174 (2002)
Caché (2005)
Candyman (1992)
The Captive (2000)
Chicago (2002)
Children of Men (2006)
Collateral (2004)
The Constant Gardener (2005)
Deconstructing Harry (1997)
Eyes Wide Shut (1999)
Far from Heaven (2002)
Fast, Cheap and Out of Control (1997)
Gangs of New York (2002)
Gohatto (1999)
Hero (2002)
The Idiots (1998)
Kundun (1997)
The Last King of Scotland (2006)
Lock, Stock and Two Smoking Barrels (1998)
Lost in Translation (2003)
Million Dollar Baby (2004)
Monsoon Wedding (2001)
Mother and Son (1997)
Mulholland Dr. (2001)
Nine Queens (2000)
O Brother, Where Art Thou? (2000)
The Piano Teacher (2001)
The Pillow Book (1996)
The Prestige (2006)
Rosetta (1999)
Russian Ark (2002)
Signs and Wonders (2000)
Sombre (1998)
The Son's Room (2001)
Strange Days (1995)
Tetsuo (1998)
Time Regained (1999)
United 93 (2006)
A Very Long Engagement (2004)
Volver (2006)
What Time Is It There? (2001)
The Wind Will Carry Us (1999)
Y Tu Mamá También (2001)

Third Edition : 2006

Curiously, there's also a handful of films that made it in at some point, then got cut, only to be reinstated. Lucky films! To those in bold I proffer my hearty shouts of assent.

RESURRECTIONS
Audition (1999)
City of God (2002) 
Kill Bill, Vol. 1 (2003)
The Passion of the Christ (2004) 
Talk to Her (2002)

Fourth Edition : 2007

But now the time has come to get down to it. Our main theme. Our magnificent obsession. Our raisin d'eater, at this, our soulfoodmovies blog. So here they are - the slightly more than 100

SOUL FOOD MOVIES
(more or less - "more" being determined by me, indicated by boldface)
that Mr Schneider figures
YOU OUGHT TO SEE, THIS SIDE OF ETERNITY....

Intolerance (1916)
Metropolis (1927)
Sunrise (1927)
La Passion de Jeanne d’Arc (1928)
The Awful Truth (1937)
Angels with Dirty Faces (1938)
Sergeant York (1941)
How Green Was My Valley (1941)
Cat People (1942)
I Walked with a Zombie (1943)
Roma, città aperta (1945)
Paisà (1946)
Black Narcissus (1946)
It's a Wonderful Life (1946)
Diary of a Country Priest (1951)
The Day the Earth Stood Still (1951)
Ikiru (1952)
Voyage in Italy (1953)
Shane (1953)
On the Waterfront (1954)
La Strada (1954)
Pather Panchali (1955)
Ordet (1955)
The Night of the Hunter (1955)
The Wrong Man (1956)
The Ten Commandments (1956)
The Seventh Seal (1957)
Wild Strawberries (1957)
The Nights of Cabiria (1957)
Aparajito (1957)
Ben-Hur (1959)
Pickpocket (1959)
La Dolce Vita (1960)
Through a Glass Darkly (1961)
To Kill a Mockingbird (1962)
Winter Light (1963)
The Gospel According to St. Matthew (1964)
Au Hasard Balthazar (1966)
Cool Hand Luke (1967)
My Night at Maud's (1969)
Andrei Rublev (1969)
The Garden of the Finzi-Continis (1970)
The Sorrow and the Pity (1971)
Solaris (1972)
The Godfather (1972)
The Wicker Man (1973)
The Exorcist (1973)
Dersu Uzala (1974)
The Godfather Part II (1974)
Picnic at Hanging Rock (1975)
The Last Wave (1977)
The Tree of Wooden Clogs (1978)
Days of Heaven (1978)
Stalker (1979)
All That Jazz (1979)
Life of Brian (1979)
The Elephant Man (1980)
Chariots of Fire (1981)
Blade Runner (1982)
Gandhi (1982)
The Night of the Shooting Stars (1982)
Koyaanisqatsi (1983)
Amadeus (1984)
The Purple Rose of Cairo (1985)
Hannah and Her Sisters (1986)
Wings of Desire (1987)
Babette's Feast (1987)
The Decalogue (1988)
Alice (1988)
Crimes and Misdemeanors (1989)
The Killer (1989)
Jacob's Ladder (1990)
Close-Up (1990)
The Rapture (1991)
Unforgiven (1992)
Groundhog Day (1993)
Trois Couleurs: Bleu (1993)
Schindler's List (1993)
Trois Couleurs: Rouge (1994)
Forrest Gump (1994)
The Shawshank Redemption (1994)
Sátántangó (1994)
Clueless (1995)
Smoke (1995)
Breaking the Waves (1996)
Festen (1998)
Lola Rennt (1998)
Magnolia (1999)
Beau Travail (1999)
Fight Club (1999)
The Wind Will Carry Us (1999)
American Beauty (1999)
The Matrix (1999)
The Sixth Sense (1999)
The Gleaners and I (2000)
Kippur (2000)
O Brother, Where Art Thou? (2000)
Yi Yi (2000)
Dancer in the Dark (2000)
Le Fabuleux destin d’Amélie Poulain (2001)
The Lord of the Rings (2001, 2002 & 2003)
The Passion of the Christ (2004)
Apocalypto (2006)
Pan's Labyrinth (2006)
No Country for Old Men (2007)
Into the Wild (2007)
Atonement (2007)

Fifth Edition : 2008

This post is dedicated to Dave Smith
Who, as it turns out, is actually a Norman.

Wednesday, April 08, 2009

hunger


David Denby:

In HUNGER, the British video artist Steve McQueen has made an imposing feature-length movie that attempts to equal the discipline and fanaticism of his real-world subjects - IRA fighters who, incarcerated in Maze Prison in Northern Ireland, went on a hunger strike in 1981.... The movie's preoccupations are as much religious, even sacerdotal, as political.... For much of the movie, an intense silence reigns, interrupted by outbursts of furious brutality against the naked prisoners....

HUNGER moves inexorably to the last stage of this Passion play: Bobby Sands, starving himself for sixty-six days and slowly dying as he lies spread out naked on a bed. Earlier, in a powerfully written conversation, Father Dominic Moran, a tough Catholic priest, accuses Sands of not loving life, of having lost touch with the world or any rational political purpose. Father Moran is exactly right, but the movie takes the opposite view - that the men are sacred in their anguish.

In the end...I was awed but not moved by HUNGEr. Sands is a violent man who dies in the service of a dubious cause and on a cross of his own choosing. He's a Christ without humanity, and McQueen's aestheticization of his suffering and death becomes borderline creepy.

The New Yorker, March 30, 2009

NOW PLAYING: Big Screens

SF

One church to go to this Easter Weekend is the Imax at Canada Place: U23D, services nightly at 8pm (Good Friday, Holy Saturday, Easter Sunday only). Opening Good Friday, running through Apr 13 is LA DOLCE VITA (Cinematheque): "a three-hour masterpiece that shows one man's descent into the sweet life of debauchery... Sprinkled with religious images and gestures at salvation" (Cinemaclock). Carole and I savoured CHERRY BLOSSOMS (opens Easter weekend at VanCity): don't read any write-ups, better to experience this film as it comes to you: suffice it to say, a late-middle-aged couple, as distanced from their children as any in Ozu, as distanced from their lives as anyone in IKIRU, face death and, finally, travel to Japan. Stick around for the more-or-less Easter-themed late show at VanCity, Monty Python's LIFE OF BRIAN: "Always look on the bright side."

Langley's Twilight Drive-In might just be the perfect place to see Scott Derrickson's THE DAY THE EARTH STOOD STILL (remake of the 1951 sf classic), especially now that spring's sprung. DOUBT, GRAN TORINO and THE WRESTLER soldier on at Granville 7, with the first two also showing up at the Hollywood.


NSF

SUNSHINE CLEANING has opened at Tinseltown and the Park. Pettily, I resent the filmmakers' compulsion to remind us it's "from the folks who brought you LITTLE MISS SUNSHINE" - can a title be product placement? Still, a film I want to see: LMS with body bags.

CORALINE continues three dimensionally at Tinseltown, flat everywhere else. FROST/NIXON visit The Hollywood, GOMORRAH has opened at the Fifth, where THE READER carries on reading.

shall we kiss?


Nathan Lane:
There are two stories here, one framed inside the other - a very nineteenth-century device. In the outer on, a picture-framer (his profession is no accident) begs a woman he barely knows for "a kiss without consequences." In refusing, she tells him the cautionary tale of Nicolas, who, lacking affection, suggests to a married friend named Judith that she meet his needs. This being Paris, Judith concurs, and, as you might expect, the no-strings encounter turns out to be tied up in strings of every sort. ...what we learn, as the jokes fade from the movie in the second half, is that beneath Mouret's goofy ditherings is an unremitting moralist, gripped by the ethics of temptation. ... SHALL WE KISS? puts its viewers in a bind worthy of the lovers themselves: should we organize a Socratic symposium on the issues raised by the film, or hurl our popcorn violently at the screen?
New Yorker, April 6, 2009


Of course, one man's moralizing is another man's meat. Wonder how Nat feels about other Moral Tales? He may be right, of course, but his antipathy piques my curiosity.

Tuesday, March 17, 2009

FFCC Award Winners

2009 Faith & Film Critics Circle Award Winners

Most Significant Exploration of Spiritual Themes
Winner: Silent Light
"Cycling image by image through the idea of things being revealed and unveiled, the time-lapse Genesis imagery that sets the film in motion culminates in a theologically rich network of visual and thematic allusions – as if Regygada’s natural cinematography needs an additional shove towards the transcendental." (M. Leary, Think-Film)
Runner-up: Doubt
Also nominated: The Dark Knight, In Bruges, Slumdog Millionaire

Best Narrative Film
Winner: Slumdog Millionaire
"The story explores the deepest themes of life, from loyalty and love to betrayal and despair. The redemptive nature of the film is seen in the title itself as Jamal travels an unexpected road which prepares him for the questions he will be asked on the television show. That love is possible in even a 'slumdog’s' life is a message of hope that speaks to a world where the majority of humanity lives in poverty." (Hal Conklin and Denny Wayman, Cinema in Focus)
Runner-up: Silent Light
Also nominated: Happy-Go-Lucky, Paranoid Park, WALL-E

Best Documentary
Winner: At the Death House Door
"Pickett's odyssey makes for an incredible story. One of the executions he had to preside over was of a man who killed a popular parishioner during a prison riot. Watching Pickett negotiate, even in memory, the complex of emotions that his job has forced him to reconcile, I was struck by how the film begins with the political and moves to the spiritual. Like Plato's Republic, which cannot answer the question "What is Justice?" without describing the perfect society, At the Death House Door begins with a seemingly simple, direct question and shows how hopelessly complicated the simplest questions can be." (Kenneth R. Morefield, from his 2008 top 10 list)
Runner-up: Man on Wire
Also nominated: Encounters at the End of the World, Pray the Devil Back to Hell, Young@Heart

Best Film for the Whole Family
Winner: WALL-E
"While the film’s themes of consumerism and environmental carelessness are unmistakable, unduly political spin on the film is probably more related to election-year hypersensitivity than the film itself. WALL‑E is not about left or right, liberal or conservative. Rather, it is about living thoughtfully, about what traditional Christian language calls good stewardship of resources and the environment." (Steven D. Greydanus, Decent Films)
Runner-up: More Than a Game
Also nominated: City of Ember, Horton Hears a Who, Kung Fu Panda, The Spiderwick Chronicles


Faith & Film Critics Circle Members
Steven D. Greydanus
Ron Reed
Peter T. Chattaway
Frederica Mathewes-Green
Mike Hertenstein
Josh Hurst
Josh Larsen
Darrel Manson
Brett McCracken
Ken Morefield
Jeffrey Overstreet
Matt Page
J. Robert Parks
Robert Johnston
Catherine Barsotti
Denny Wayman
Jared Wheeler
Visit the FFCC site for links to all FFCC members

Sunday, March 15, 2009

valkyrie (2008, USA, Bryan Singer)


No Scientology, but not much Christian faith either. Dietrich Bonhoeffer doesn't even get a walk-on! A regrettable compromise.
"Before shooting had even been completed on director Bryan Singer's VALKYRIE - an account of the failed attempt by Colonel Claus von Stauffenberg and members of the German resistance to assassinate Hitler - the film threatened to become overshadowed by the storm of controversy it had provoked in the German media. Much of the furore centred around the casting of Tom Cruise as Stauffenberg, with the actor's professing of scientology (categorized as a 'dangerous cult' by the German government) central to most concerns. A spokesman for the German Protestant church went so far as to say Cruise's involvement would 'have the same propaganda advantages for scientology as the 1936 Olympics had for the Nazis.'

"The first half of the film is careful to explain the background influences that led Stauffenberg and the other members of the resistance to risk the assassination attempt. There was a strong class aspect to the resistance. Men like Stauffenberg were drawn from the aristocratic Prussian military class and viewed the Nazis as a bunch of thugs led by a lowly Austrian corporal. 'Stauffenberg came from a 900-year-old family who had served kings,' says Singer. 'He had great pride in the longevity of Germany as a great nation. These people were not Nazis, they had never been party members.'

"Stauffenberg was also a Catholic, something only touched on in the film 'I wasn't making a biopic,' Singer clarifies. 'It was important for me that the film be a thriller about the assassination attempt. I left out anything that didn't help to get us to the assassination. His Catholicism was just one facet of his drive.'"

excerpted from James Bell's article "Deadly Knowledge," Sight & Sound, February 2009
So this ain't no SOPHIE SCHOLL. Which means there's still a great Soul Food movie to be made - screenwriters of the world, Arise! Until then, for all the details Hollywood skipped, Videomatica has the dull-as-dumplings doc KILLING HITLER: THE TRUE STORY OF THE VALKYRIE PLOT.

Tuesday, March 10, 2009

Mar 15: POP SWITCH premiere screening

Jason Goode is a PT guy - acted in some Stones Throw shows, most recently TWIGS (he was the furniture mover) - who makes films. THE HITCHHIKER was penned by our Literary Manager, Kathy Parsons, and starred Gina Chiarelli. Well, his new one - scribed by and starring Lucia Frangione, also starring Michael Kopsa and Duncan Fraser - is ready to go! If you want to get the look, here's the dope...


(Don't worry about the RSVP date. Just let them know as soon as you can.)

Film & Faith Critics Circle Nominees

The nominees are:

BEST EXPLORATION OF SPIRITUAL THEMES:
The Dark Knight
Doubt
In Bruges
Silent Light
Slumdog Millionaire

BEST NARRATIVE FILM
Happy-Go-Lucky
Paranoid Park
Silent Light
Slumdog Millionaire
Wall-E

BEST DOCUMENTARY
At the Death House Door
Encounter at the End of the World
Man on Wire
Pray the Devil Back to Hell
Young @ Heart

BEST FILM FOR THE WHOLE FAMILY
City of Ember
Horton Hears a Who
Kung Fu Panda
More of a Game
The Spiderwork Chrinicles
Wall-E

Friday, March 06, 2009

Apr 3: THE TRIAL OF JOAN OF ARC, Pacific Cinematheque


Trial of Joan of Arc 
with actress Florence Delay Carrez in attendance (!)
Pacific Cinematheque
Friday April 3, 7:30pm

France 1962. Director: Robert Bresson
Cast: Florence Carrez (Florence Delay), Jean-Claude Fourneau, Marc Jacquier, Roger Honorat, Jean Gillibert
Pacific Cinémathèque and the Consulate General of France are pleased to present a Special Film Evening.

FLORENCE DELAY IN PERSON! │ Novelist, actress, distinguished member of the Académie française, and star of Bresson’s 1962 masterpiece Trial of Joan of Arc.

IMPORTED 35mm PRINT! │ One of film’s giants, Robert Bresson was master of a spare, rigorous, intensely metaphysical cinema (famously called "transcendental" by Paul Schrader) that explored, with rare poetry and purity, the human struggle for grace and redemption. His startling, searing take on one of cinema’s most filmed stories is based — like Dreyer’s 1929 silent masterpiece, The Passion of Joan of Arc — on the actual transcripts of Joan's trial, here distilled into the very essence of the spare Bressonian aesthetic, and focusing with unsettling power on Joan’s physical humiliation. (British critic Gilbert Adair has described the film as "Bresson’s essay in sadomasochistic voyeurism.") Trial of Joan of Arc won a Jury Special Prize at Cannes in 1962, and was much admired by the filmmakers of French New Wave, and by Tarkovsky, who cited it as a formative influence. "Perhaps the ultimate expression of Bresson’s unique cinematic voice...In the austere documenting of Joan's imprisonment and trial, physical objects — chains, stones, wall, windows — become metaphors for her spiritual isolation and sounds — the scratching of a pen during her hearing — contribute to the minimalist musicality of the experience" (James Monaco). "For the first time in film history, one feels that Joan was really burnt" (Richard Roud). B&W, 35mm, in French with English subtitles. 65 mins.

"Bresson...creates one of the greatest female characters ever put on celluloid." BBC

Trailer

Japanese poster

Thursday, March 05, 2009

Mar 4: Horton Foote Has Died

My favourite film is TENDER MERCIES, and another followed soon after which made a very personal connection with me, TRIP TO BOUNTIFUL. Both are by Horton Foote, whose exquisitely understated studies of "just plain folks," mostly Texans, makes me think of him as the American Chekhov. Maybe it's time to do something of his at Pacific Theatre...

Horton Foote on the set of “The Traveling Lady”
at the Mabee Theatre at Baylor University in February 2004.

New York Times
March 4, 2009
Horton Foote Has Died

Horton Foote, who chronicled America’s wistful odyssey through the 20th century in plays and films mostly set in a small town in Texas and left a literary legacy as one of the country’s foremost storytellers, died in Hartford, Conn., on Wednesday. He was 92, said his daughter, Hallie Foote.

In screenplays for such movies as “Tender Mercies,” “To Kill a Mockingbird” and “The Trip to Bountiful,” and in plays like “The Young Man From Atlanta” and his nine-play cycle “The Orphans’ Home,” Mr. Foote depicted the way ordinary people shoulder the ordinary burdens of life, finding drama in the resilience by which they carry on in the face of change, economic hardship, disappointment, loss and death. His work earned him a Pulitzer Prize and two Academy Awards.

Here is a portion of his obituary, written by Wilborn Hampton; the complete version will be posted at nytimes.com Wednesday evening.

In a body of work for which he won the Pulitzer Prize and two Oscars, Mr. Foote was known as a writer’s writer, an author who never abandoned his vision or altered his simple, homespun style even when Broadway and Hollywood temporarily turned their backs on him.

In screenplays for such movies as “Tender Mercies,” “To Kill a Mockingbird” and “The Trip to Bountiful,” and in plays like “The Young Man From Atlanta” and his nine-play cycle “Orphans’ Home,” Mr. Foote depicted the way ordinary people shoulder the ordinary burdens of life, finding drama in the resilience by which they carry on in the face of change, economic hardship, disappointment, loss and death. His work earned him a Pulitzer Prize and two Academy Awards.

Frank Rich, who as theater critic of The New York Times was one of Mr. Foote’s champions, called him “one of America’s living literary wonders.” Mr. Rich wrote that his plays contained “a subtlety that suggests a collaboration between Faulkner and Chekhov.”

Mr. Foote, in a 1986 interview in The New York Times Magazine, said: “I believe very deeply in the human spirit and I have a sense of awe about it because I don’t know how people carry on. What makes the difference in people? What is it? I’ve known people that the world has thrown everything at to discourage them, to kill them, to break their spirit. And yet something about them retains a dignity. They face life and don’t ask quarters.”

Mr. Foote spent most of his life writing about such people in a simple, homespun style. In more than 50 plays and films, most of which were set in the fictiional town of Harrison, Texas, he charted their struggle through the century by recording the daily, familial conflicts that filled their lives.

He often seemed to resemble a character from one of his own plays. Always courteous and courtly, he spoke with a slow Texas drawl. He enjoyed good food and wine but would usually opt for barbecue and iced tea or fried chicken with a Dr Pepper when he was home in Texas. He was a jovial man with a wry humor, and his white hair and robust frame gave him the appearance of a Southern senator or one’s favorite uncle, the one who always had a story.

Albert Horton Foote Jr., one of three sons of Albert Horton Foote and the former Hallie Brooks, was born March 14, 1916, in Wharton, Texas, a small town about 40 miles southwest of Houston that was once surrounded by cotton fields. His father was a local haberdasher and his mother, who was from an old Southern family, taught piano.

Although he boarded a train for Dallas at the age of 16 to pursue a career as an actor, Mr. Foote never really left home. From his first efforts as a playwright, he returned again and again to set his plays and films amid the pecan groves and Victorian houses with large front porches on the tree-lined streets of Wharton. His inspiration came from the people he knew and the stories he heard growing up there. “I’ve spent my life listening,” Mr. Foote once said.

Wednesday, March 04, 2009

May 11-22 / Jul 27-31: Film courses at Regent

A reminder about a couple intriguing film courses coming up at Regent College. Check here for more details. 

Saturday, February 14, 2009

Feb 22 - Mar 2: THE GODFATHER PART II at VanCity


In December we were treated to the first of the GODFATHER films on the big screen, painstakingly restored from the neglected original prints. I'll be honest - the print didn't look all that great. My old dvd version is considerably cleaner, no scratches, dropped frames. Whether that indicates how badly damaged the originals were, or - ironically - if we were viewing a badly worn copy of the "pristine" restored film, I can't say.

Even so, it was terrific to see this big film on a big screen, with an audience. So I hope to be back to the VanCity to see the follow-up film - both a sequel and a prequel to THE GODFATHER - later this month.

THE GODFATHER: PART II
February 22-27, March 1-2 // 7:00 pm
Director: Francis Ford Coppola // USA 1974 // 200 min // 35mm // Rated: 14A
Tickets

Check here for more about the re-release of the original GODFATHER films, and some good background on the restoration process.

Saturday, February 07, 2009

NOW PLAYING: Big & Small Screens

BIG SCREENS

THE DAY THE EARTH STOOD STILL
Director Scott Derrickson spoke at Regent College a few years back, and considering his other films (HELLRAISER: INFERNO, THE EXORCISM OF EMILY ROSE) it's no surprise he's turned to this 1950s B-movie sci-fi classic with Christological overtones. Silvercity Riverport, Colossus Langley.

DEFIANCE
G7, P&T, SC Riverport/Coquitlam, Colossus Langley, Station Square

DOUBT
TT, SC Riverport/Coquitlam, Colossus Langley


GRAN TORINO
5th, SC Riverport/Coquitlam, Scotiabank, Colossus Langley, Empire Studio 12 Guildford, Esplanade 6, Meadowtown, Station Square, Strawberry Hill

NEW IN TOWN
TT, SC Riverport/Coquitlam, Colossus Langley, Esplanade 6, Station Square, Strawberry Hill
"New in Town, a romantic comedy with Harry Connick Jr. and Renee Zellweger. also happens to be written by a Christian and stars a Christian, Siobhan Fallon Hogan, in a supporting role. And as if that weren't cool enough, Hogan's character in the film, Blanche, is a Christian—a real, level-headed believer, not some weird, over-the-top Hollywood depiction. We chatted with Hogan about playing the role; we also spent a few minutes with Connick, who talked about how his own Catholic faith has affected his entertainment choices over the years." (Mark Moring, Christianity Today)
Critics don't like it much.

OF TIME AND THE CITY
VanCity Feb 8-10, 7:00 & 8:30


RACHEL GETTING MARRIED
G7

SLUMDOG MILLIONAIRE
Danny Boyle's suitcase-full-of-money theme takes on spiritual overtones played out in the slums of India.
5th, TT, SC Riverport/Coquitlam, Colossus Langley, Criterion Caprice 4, Empire Studio 12 Guildford, Park & Tilford, Strawberry Hill


THE WRESTLER
SC Riverport/Coquitlam, Scotiabank, Colossus Langley


SMALL SCREENS

AMAL
(Videomatica)

BELLA
(Videomatica)

CHOKING MAN
"The differences between CHOKING MAN and BEN X make their similarities all the more interesting. Both Ben and Jorge must overcome their shyness and reach out to the beautiful young women they adore. Both must reckon with characters who exist only in their imaginations. And both must wrestle with the implications of a crucified Christ. / CHOKING MAN concludes as a tale of redemption. Jorge finds a moment of clarity during a church service." Jeffrey Overstreet, CT Movies
(Videomatica)

DARATT (DRY SEASON)
Not yet at Videomatica, but released by Facets Aug 26 2008 in "Great African Films, Vol. 3" (with THE DESERT ARK). 

The third entry in a series of award-winning films from Africa. DARATT ("DRY SEASON" Mahamat-Saleh Haroun, Chad, 2006) is "an unassumingly 
political work that unfolds with the gravity of a Biblical story," according to Manohla 
Dargis of The New York Times. Set in Chad after a general amnesty has set war criminals 
free, this heart-wrenching revenge story tells of a grandfather who sends his grandson to 
kill the man who murdered the boy's father. Winner of five awards at the 2006 Venice Film 
Festival.


IN BRUGES
(Videomatica)


MAGNIFICENT OBSESSION
New from Criterion in January 2009, vintage Douglas Sirk from Lloyd C. Douglas' religious novel. (Videomatica)


REDBELT
(Videomatica)

SILENT LIGHT
(Videomatica)


SHOTGUN STORIES
(Videomatica)


SON OF MAN
The extraordinary South African life of Christ is apparently now available from Amazon UK as a Region 2 dvd.


SON OF RAMBOW
(Videomatica)

COMING SOON(ER OR LATER): Big & Small Screens

COMING SOON TO DVD

BEN X
"Ben ends up embracing a crooked sort of cross, one that is more about retaliation than redemption. If encounters with Christ throw fuel on our fire to see the bad guys get what they've got coming, well, keep in mind the confession of William Munny in Unforgiven: 'We've all got it coming, kid.' " Jeffrey Overstreet, CT Movies
Available to the public Mar 10 2009 – Film Movement


COMING SOON TO THEATRES

Word is, Jason Goode's short film POP SWITCH (screenplay: Lucia Frangione, cast: Lucia Frangione, Michael Kopsa, Duncan Fraser) will premiere in Vancouver in the next couple months. Feb 2009.

Jack Black and Michael Cera encounter Cain and Abel (David Cross and Paul Rudd) in a scene from the Harold Ramis-directed YEAR ONE. Opens Jun 19 2009.


PRE-PRODUCTION / IN PRODUCTION / POST-PRODUCTION / WAITING FOR DISTRIBUTION

BIRDSONG ("EL CANT DELS OCELLS" 2008, Albert Serra, Spain)
Played TIFF 2008, VIFF 2008
"Most of the historical representations of the Traveling Magi are dramatized after the fact and he wanted to consider what it might have been like as it was happening. He wanted to strip away the theological overlay of thousands of years — which places the story of the Traveling Magi in direct service to the spiritual legitimization of the Christ Child — and return the story to original physical events. By choosing such simplicity and lack of narrative adornment, Serra reduced or abstracted the legend to its essential poetry." Oct 24 2008, twitchfilm
"I chose Serra’s previous film, Honor of the Knights, as my favorite film of 2006, so I was delighted to see his latest–similarly meditative but funnier and more cosmic–receive greater critical exposure. Ostensibly telling the biblical story of the journey of the magi, the film is more interested in its experiential affects than its narrative details, utilizing the powers of long takes and long shots to explore and illuminate barren landscapes, the passage of time, and fragile but resilient human activity. It feels like the ending of Rossellini’s Stromboli expanded into a feature. Serra’s a unique talent, combining a lofty vision with an earthy temperament and a heavy doses of spontaneity." Jan 8 2009, Doug Cummings, filmjourney

"Ralph Fiennes is making his directorial debut with a feature adaptation of William Shakespeare's Roman tragedy CORIOLANUS. Fiennes has already scouted for locations in East Europe. Shakespeare's play, set in the early years of the Roman Republic, is one of his most politically challenging examinations of the way power corrupts. Fiennes will also play the title role of the proud but contemptuous soldier spurred on by his ambitious mother to run for the Roman Senate, which ultimately leads to his downfall. Vanessa Redgrave is in talks to play the part of Coriolanus' mother Volumnia." Feb 6 2009, Variety

"The creative team behind the LORD OF THE RINGS trilogy return to Middle-earth with this adaptation of J.R.R. Tolkien's classic precursor THE HOBBIT. Peter Jackson and Fran Walsh executive produce the New Line Cinema/MGM joint production, to be shot simultaneously with a sequel film culled from various pieces of the author's work. Acclaimed director Guillermo del Toro is attached to helm the two pics, budgeted at 150 million dollars each. Jeremy Wheeler, All Movie Guide
"With work on THE HOBBIT really starting to move forward, director Guillermo del Toro updated MTV News this week with exclusive scripting, casting and pre-production news, including confirmation that HELLBOY creator Mike Mignola will be coming aboard for early visualization." Jan 22 2009, MTV Movie News

"The Oscar-winning actor Anthony Hopkins is to play KING LEAR in a new film version of the Shakespeare tragedy, it was confirmed today. The film will feature Gwyneth Paltrow, Naomi Watts and Keira Knightley as Lear's three daughters, according to the director, Joshua Michael Stern. 'It's pre-Roman, Celtic, very raw. It's a period in British history, from which Tolkien took a lot of his inspiration, where there were thatched-roof roundhouses and fortresses.' Hopkins played the role in David Hare's production of the play at the National in 1987. Shooting is scheduled to begin in Britain or Ireland early next year." Jun 25 2008, The Guardian

"Al Pacino will play the title role in KING LEAR, an adaptation of the Shakespeare play that will be directed by Michael Radford. Radford, who wrote the script, is making his second Shakespearean foray with Pacino after their 2004 collaboration MERCHANT OF VENICE, which cast Pacino as Shylock. Radford will shoot the picture entirely in Europe, starting later this year. Feb 3 2009, Variety

"Abel Ferrara’s 15th feature, MARY, which had its premiere at Venice in 2005, is only now having a run in New York. (It opens on Friday Oct 10 at Anthology Film Archives.) It revolves around a film within the film — in this case a biblical indie called THIS IS MY BLOOD. The leading lady (Juliette Binoche) is so shaken by playing Mary Magdalene that she decamps for Jerusalem. Back in New York a television talk show host (Forest Whitaker) finds himself struggling with his faith as he prepares to interview the Jesus movie’s brash director and star (Matthew Modine, in a role that inevitably calls to mind Mel Gibson but also contains strong elements of the freewheeling Mr. Ferrara). MARY is simply the most direct expression of spiritual crisis in a filmography riven with Catholic notions of guilt and redemption. When Ferrara started working on MARY — 'living within three blocks of the Vatican,' he noted — he revisited the Bible and this time approached it 'as a revolutionary tome."' Oct 10 2008, NY Times
Does not appear to have gained wider distribution.

"Barbara Nicolosi has been rewriting Benedict Fitzgerald's screenplay MYRIAM, MOTHER OF THE CHRIST, renaming it MARY, MOTHER OF CHRIST." Nov 24 2008, Matt Page, Bible Films Blog
"MGM has acquired North American distribution rights to MYRIAM, MOTHER OF THE CHRIST, the biblical story of Mary. The screenplay is written by Benedict Fitzgerald, who penned THE PASSION OF THE CHRIST." Jan 23 2009, Hollywood Reporter
"Camilla Belle will star as the titular character and will be joined by Jonathan Rhys Meyers in the dual roles of Gabriel and Lucifer and Peter O'Toole as Symeon. Al Pacino and Jessica Lange are in talks to play Herod and Anna the Prophetess. Argentine helmer Alejandro Agresti (Valentin, The Lake House) is directing the film, which begins lensing in Morocco in May. MGM plans to release the film wide in 2,000-plus theaters Apr 2 2010, which coincides with Good Friday. Media 8 Entertainment will introduce the project at the European Film Market in Berlin." Feb 6 2009, Variety

"THE ROAD is moving its release to 2009. The feature adaptation of Cormac McCarthy's Pulitzer Prize- winning novel, which stars Viggo Mortensen, will have to wait another year for any possible Oscar plaudits. Originally scheduled for November 2008, its filmmaking team has made it clear that the movie just isn't ready for release." Oct 21 2008, L.A. Times

THE ROCK 'N' ROLL DREAMS OF DUNCAN CHRISTOPHER
Producer Gillian Rowe Fritzsche was at Pacific Theatre a couple years before moving to L.A. to be married, study at Act One, and make movies. Here's her first, currently in post-production. Jan 2009

"Mickey Rourke is set to star in ST. VINCENT. He'll play a hit man who returns to New York to complete a botched hit. Masquerading as a priest, he finds himself hearing the confession of the man who he is targetting. Production is slated to begin later this year." Feb 6 2009, Variety

MCN Critics Chart #7

Most recent Movie City News tally of critic year end lists for 2008

Includes 286 Top Ten Lists. A total of 265 films Listed, 106 films with only one vote; Five films appear on more than 100 lists.




Watching for... CORIOLANUS

"Ralph Fiennes is making his directorial debut with a feature adaptation of William Shakespeare's Roman tragedy CORIOLANUS. Fiennes has already scouted for locations in East Europe. Shakespeare's play, set in the early years of the Roman Republic, is one of his most politically challenging examinations of the way power corrupts. Fiennes will also play the title role of the proud but contemptuous soldier spurred on by his ambitious mother to run for the Roman Senate, which ultimately leads to his downfall. Vanessa Redgrave is in talks to play the part of Coriolanus' mother Volumnia." Feb 6 2009, Variety

Watching for... KING LEAR

"The Oscar-winning actor Anthony Hopkins is to play KING LEAR in a new film version of the Shakespeare tragedy, it was confirmed today. The film will feature Gwyneth Paltrow, Naomi Watts and Keira Knightley as Lear's three daughters, according to the director, Joshua Michael Stern. 'It's pre-Roman, Celtic, very raw. It's a period in British history, from which Tolkien took a lot of his inspiration, where there were thatched-roof roundhouses and fortresses.' Hopkins played the role in David Hare's production of the play at the National in 1987. Shooting is scheduled to begin in Britain or Ireland early next year." Jun 25 2008, The Guardian

"Al Pacino will play the title role in KING LEAR, an adaptation of the Shakespeare play that will be directed by Michael Radford. Radford, who wrote the script, is making his second Shakespearean foray with Pacino after their 2004 collaboration MERCHANT OF VENICE, which cast Pacino as Shylock. Radford will shoot the picture entirely in Europe, starting later this year. Feb 3 2009, Variety

Watching for... ST. VINCENT

"Mickey Rourke is set to star in ST. VINCENT. He'll play a hit man who returns to New York to complete a botched hit. Masquerading as a priest, he finds himself hearing the confession of the man who he is targetting. Production is slated to begin later this year." Feb 6 2009, Variety

Watching for... MIRIAM, MOTHER OF CHRIST

"Barbara Nicolosi has been rewriting Benedict Fitzgerald's screenplay MYRIAM, MOTHER OF THE CHRIST, renaming it MARY, MOTHER OF CHRIST." Nov 24 2008, Matt Page, Bible Films Blog
"MGM has acquired North American distribution rights to MYRIAM, MOTHER OF THE CHRIST, the biblical story of Mary. The screenplay is written by Benedict Fitzgerald, who penned THE PASSION OF THE CHRIST." Jan 23 2009, Hollywood Reporter

"Camilla Belle will star as the titular character and will be joined by Jonathan Rhys Meyers in the dual roles of Gabriel and Lucifer and Peter O'Toole as Symeon. Al Pacino and Jessica Lange are in talks to play Herod and Anna the Prophetess. Argentine helmer Alejandro Agresti (Valentin, The Lake House) is directing the film, which begins lensing in Morocco in May. MGM plans to release the film wide in 2,000-plus theaters Apr 2 2010, which coincides with Good Friday. Media 8 Entertainment will introduce the project at the European Film Market in Berlin." Feb 6 2009, Variety

Watching for... MARY (2005, Abel Fererra)

"Abel Ferrara’s 15th feature, MARY, which had its premiere at Venice in 2005, is only now having a run in New York. (It opens on Friday Oct 10 at Anthology Film Archives.) It revolves around a film within the film — in this case a biblical indie called THIS IS MY BLOOD. The leading lady (Juliette Binoche) is so shaken by playing Mary Magdalene that she decamps for Jerusalem. Back in New York a television talk show host (Forest Whitaker) finds himself struggling with his faith as he prepares to interview the Jesus movie’s brash director and star (Matthew Modine, in a role that inevitably calls to mind Mel Gibson but also contains strong elements of the freewheeling Mr. Ferrara). MARY is simply the most direct expression of spiritual crisis in a filmography riven with Catholic notions of guilt and redemption. When Ferrara started working on MARY — 'living within three blocks of the Vatican,' he noted — he revisited the Bible and this time approached it 'as a revolutionary tome."' Oct 10 2008, NY Times

Watching for... BIRDSONG (2008, Spain, Albert Serra)

BIRDSONG ("EL CANT DELS OCELLS" 2008, Albert Serra, Spain)

Played TIFF 2008, VIFF 2008

"Most of the historical representations of the Traveling Magi are dramatized after the fact and he wanted to consider what it might have been like as it was happening. He wanted to strip away the theological overlay of thousands of years — which places the story of the Traveling Magi in direct service to the spiritual legitimization of the Christ Child — and return the story to original physical events. By choosing such simplicity and lack of narrative adornment, Serra reduced or abstracted the legend to its essential poetry." Oct 24 2008, twitchfilm

"I chose Serra’s previous film, Honor of the Knights, as my favorite film of 2006, so I was delighted to see his latest – similarly meditative but funnier and more cosmic – receive greater critical exposure. Ostensibly telling the biblical story of the journey of the magi, the film is more interested in its experiential affects than its narrative details, utilizing the powers of long takes and long shots to explore and illuminate barren landscapes, the passage of time, and fragile but resilient human activity. It feels like the ending of Rossellini’s Stromboli expanded into a feature. Serra’s a unique talent, combining a lofty vision with an earthy temperament and a heavy doses of spontaneity." Jan 8 2009, Doug Cummings, filmjourney

Ben X

BEN X
"Ben ends up embracing a crooked sort of cross, one that is more about retaliation than redemption. If encounters with Christ throw fuel on our fire to see the bad guys get what they've got coming, well, keep in mind the confession of William Munny in Unforgiven: 'We've all got it coming, kid.' " Jeffrey Overstreet, CT Movies

Film Movement

Friday, February 06, 2009

Museum of Biblical Art, New York: Reel Religion

Maybe it's time for another visit to New York...

Noah's Ark (1928)

Museum of Biblical Art
Reel Religion: A Century of the Bible and Film
February 6 - May 17, 2009

This exhibition probes the fascination the Bible has exerted over filmmakers as different and distinct as Cecil B. deMille, Mel Gibson, John Huston, Pier Paolo Pasolini and Martin Scorsese. The exhibition features 80 rare vintage movie posters reaching back to the dawn of film in 1898. A selection of original costumes worn by Hollywood screen stars is also on display together with related film ephemera. Visitors will be able to view an array of film clips from the movies the posters promoted.

REEL RELIGION explores how filmmakers have mined the Bible for the edification and drama of religious narratives while at the same time exercising creative license to heighten themes of passion, violence, and intrigue.

Among the exhibition highlights is an early Art Deco masterpiece, a 1923 poster for the film adaptation of Oscar Wilde's 1894 play, Salomé. One of only three existing prints, this exquisite lithograph was designed by Natacha Rambova, the wife of screen legend Rudolph Valentino, and inspired by Aubrey Beardsley's stunning, stylized black-and-white illustrations for Wilde's play. Beautifully produced and designed with a rich art historical awareness, many of these rare vintage movie posters occupy a unique position between high art and advertising.

Original costumes in the exhibition include the chest plate worn by Yul Brynner while playing the role of "Rameses" in deMille's The Ten Commandments (1956, MGM) and the gown worn by actress Nina Foch as "Bithiah," both created by Hollywood's legendary costume designer, Edith Head. Also on display are Charlton Heston's mauve tunic and cape adorned with gold trim, designed by Elizabeth Haffenden for William Wyler's 1959 MGM production, Ben-Hur.

Celebrated visual artists have had a profound impact upon the history of cinema. Among other objects, REEL RELIGION displays an illustrated Bible by the French artist Gustave Doré, on loan from the American Bible Society's Rare Scripture Collection. Doré's Bible, tremendously popular, has influenced the posters, costumes, sets and cinematography of numerous films from 1906 to 2004. Cecil D. deMille drew upon Doré's designs frequently, most notably in his staging of the parting of the Red Sea in The Ten Commandments. Doré was also the inspiration for the design of the Spanish poster promoting Pasolini's Gospel According to Saint Matthew of 1964.

Such intriguing influences and unexpected juxtapositions are explored in depth in REEL RELIGION: A CENTURY OF THE BIBLE AND FILM.

Thanks to Rosie Perera for pointing us to this one. For more on Bible films, check out Matt Page's blog. His monthly Jesus Films podcast has covered...
The Nativity Story (2006)
Monty Python’s Life of Brian (1979)
Jesus (1979)
Godspell (1973)
The Passion (2008)
Son of Man (2006)
Gospel of John (2003
The Passion of the Christ (2004)
The King of Kings (1927) 
Jesus (1999)
Life and Passion of Jesus Christ (early 20th century)
Last Temptation of Christ (1988)
King of Kings (1961)
Il Messia (1975)
The Miracle Maker (2000)
Jesus Christ, Superstar (1973)
Jesus of Montreal (1989)
The Greatest Story Ever Told (1965)
Il Vangelo Secondo Matteo (1964)
Jesus of Nazareth (1977)